We came back to the Ave. fresh-faced and ready to create a masterpiece. Kiley -who will NOT be shown here to maintain suspense -was dressed to the nines in a borrowed blazer, a loaned belt, and some slick shades. We modeled her after a hypothetical combination of the two biggest film noir archetypes: the grouchy, cynical private inspector meets femme fatale. Here, we were able to film the most important shots, demonstrating her actual character arc, showing her motivations and establishing the very beginnings of a storyline as the camera follows her from her car along to a crowded, cosmopolitan boulevard. Of course, since the finally footage is going to be in black and white, we decided to film in a slightly lighter setting than the film will actually take place, since we can always lower the exposure and raise contrast in post. I was the primary cinematographer in this case, though we all contributed, and we brought two cameras and a dozen ideas to the scene this time around...
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