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CAMERA ANGLES IN THE GIVER

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Camera Angles The Giver (2014, dir. Phillip Noyce) For this week's assignment, I decided to watch and analyze the use of various camera angles in the 2014 movie "The Giver," based off of the novel by Lois Lowry. Since I'm a huge fan of the book, I thought that it would be interesting to see how the director would adapt certain scenes from the book into visual form, what kind of camera angles and framing he would use, and things like that. One of the first shots in the film is a tightly shot, dynamic REACTION SHOT of the main character, Jonas, as he experiences his first glimpse of color. In the movie and the book, everybody is colorblind, and maybe I should have expected it but for some reason I hadn't really considered that this would translate to the movie being in black-and-white. With the reaction shot, the audience is put in Jonas' shoes as he first sees color, and with some clever editing the audience experiences that too, as some light blue and ...
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FILMING: A NEW CHALLENGE

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When my group and I first started filming, we didn't really expect to get much usable footage out of it - we were mainly location scouting, physically checking out the places we had discussed and getting a feel for some of the shots we might decide to utilize in our final project. We had decided on filming some of the more cosmopolitan areas of downtown Naples, after coming to the conclusion that industrial cityscapes were, in fact, pretty boring backgrounds. We headed out a few hours before sunset, when we were all free at the same time, and got some good shots that fit and expanded upon our initial storyboard. Mickey, our principal photographer, is shown here getting some good establishing shots of the stairwell we were later going to use in our establishing shots! Overall, we got some good landscape and interior footage, and at the end of the day as the sun began to set we decided to meet again next week, assemble our costume, and get some good old-fashioned private di...
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